Graphic tutorials + plug-in Adobe Audition Detailed

 Graphic tutorials Adobe Audition
I. Introduction:
Adobe introduced Adobe Audition software, which is a complete application running on a Windows system, PC, multi-track recording studio. The product previously known as Cool Edit Pro 2.1, in May 2003 the company successfully purchased from Syntrillium Software.
Adobe Audition offers advanced mixing, editing, control, and effects processing capabilities, is a professional audio tool that allows users to edit individual audio files create a loop, the introduction of more than 45 DSP effects and up to 128 tracks.
Adobe Audition with an integrated multi-track and edit views, real-time effects, surround support, analysis tools, restoration features and video support and other functions, for music, video, audio and sound design professionals with fully integrated audio editing and mixing solution. The user can allow them to hear real-time changes and track EQ in real-time audio effects benefit. It includes a flexible cycle tools, and thousands of high-quality, royalty-free (royalty-free) music loop, music track and music help.
Adobe digital video products as a new member, Adobe Audition can either be purchased separately can also be in the new Adobe Video Collection to get.
Adobe Audition provides an intuitive, customizable interface, allowing users to cut and adjust the window size, audio to create an efficient operating range. a window manager able to open files using jump track, special effects and a variety of hobbies, batch tools can efficiently handle multiple files, such as the sound to match all, to transform them into standard file formats like the daily work.
Adobe Audition video projects for the high quality audio, allowing users to watch video playback of AVI for editing the sound track, mix and add special effects. broad support for industry standard audio file formats, including WAV,, AIFF, MP3, MP3PRO and WMA also able to use 32-bit bit depth to handle the file, the sampling rate of more than 192 kHz, enabling the highest quality sound output to tape, CD, DVD or DVD audio.
II, Audition 1.5 English version of FLASH installed and finished Animation (Ouyang Xuan Yuan production)
on the localization, indicate that. make changes to the directory to install the friends that are still open after the installation is in English, because the finished path is wrong. can re-enter the installation directory.
Adobe Audition Simplified Chinese V1.5 program files under the en_us folder to the root directory covering en_us folder. re-open the software is the Chinese version of the.
three
Adobe Audition v1.5 Overview of the Chinese version of
multitrack interface of four, entry
1, recorded a song using Adobe Audition 1.5 operating procedures
first step: Mike debug
is to your headphones as the only listener, the significance of this step is use headphones to listen to the music, if you are driving a speaker when the song record song recorded, then the entry is the mix of music and vocal sounds, so the effect will be poor.
check the recording options, select the microphone ( MIC) column, the other is closed, because we only want to record your own voice.
Step: Noise Sampling
Open Adobe Audition 1.5, light up a track in front of any then click on Record button, then do not say anything, and the first noise record a blank document, not very long (10-30 seconds or so can be), click the Record button again to close the recording, and then double-click the audio tracks into single tracks mode, choose - Turn off multi-track and single track switch button etc.), select - Open the R button, click the red record button below to get started with the singing. recording is completed, click on the button to hear your recorded voice, the voice is not feeling very dry or very difficult to hear the noise? in the absence of any effect of noise reduction and processing all this before.
fifth step: to reduce noise
click ; effects - noise reduction - noise reduction - OK until satisfied. excessive noise will have some loss of sound.
Step Six: effect of treatment effects
first refresh (after the effects do not need to set a time) click on the - refresh the effects list, ;.
2. pressure limit is your voice through treatment become more balanced, to maintain the same consistency, the sound will not suddenly big suddenly small. Click plug-in pressure can also play a limited role, there will not talk about it. and above in the pre-polish as there are many options already available for your choice, you can make your own, personally think that the most appropriate treatment of the human voice is default in the pop vocal. After the election can listen to what satisfaction and click device-DirectX-Utlrafunkfx - ReverbR3 , and put it into the white point. Love what effect can also choose if you feel dissatisfied too many words will make people leave the sounds too fuzzy, plus the less they will seem very dry sound very astringent, and we slowly explored, there is more experience in the recording a few times.
Step Seven: accompaniment people sound prior to the merger merger
listen to an effect, if the perception of the human voice and the accompaniment volume does not match in the second track (vocal track) at the the volume of the regulator up and down where you can debug, until you feel the match so far.
Right-click the third track (the other tracks are OK, as long as blank audio tracks), select the waveform, tracks (accompaniment and vocal tracks synthesis) into the mono track to save the file, save type can also be WAV, MP3, see you need a.
skills: Audition (CEP) of the timer recording
The dialog box can be set to automatically record the length of the unit is After, AA automatically start recording.
2, made with adobe audition 1.5 OK karaoke accompaniment with
you ever come across your very favorite songs, but could not find a karaoke accompaniment OK with it? Now, with dobe audition 1.5 to help you, you will not find an accompanist for the band to worry about! we can bring home-made accompaniment.
in dobe audition 1.5 multitrack window right click select the first track, the pop-up menu select into the Sound eliminate extract from the original song only this part of the.
files will have to re-insert the second track, double-click into the items in the is the human voice frequency range. We will cover the frequency attenuation of the human voice to a minimum, edge conditioning, while listening, until almost no human voice can be, and handle the window after the return to multi-track editing, mixing the two shrunk to a rail track . Finally, save the mix down the audio.
players listen, is not it also? However, this method can not completely eliminate the human voice, if completely eliminate the human voice, the music is paid for distortion of the price. But when you sing, your voice can not eliminate the clean acoustic cover, no problem!
If you're using Cool edit pro, then it does not matter, because little difference between the two operations, good , and as soon as possible to try it myself!
Tip 1: remix of 20 Tips for
1, by deleting the unused track, the parameter is set straight, turn off the effects send for each track.
2 , gain control, but contained, without deleting the air intake.
3, grouping the control, the effect Editor's note must be returned into the grouping.
4, a clear change in the volume of the various parts of music, make records in a single orbit, for Automation and not listening to music while watching the level.
5, in the same listening environment, listen to some successful commercial music.
6, do not be too much of the effect of treatment, especially reverb. more dry sound more forward, if you have to put the lead singer's voice added to the large mixing the air, and can be adjusted with the Pre-Delay ratio of wet and dry, making songs more natural.
7, not to the bass instruments like Bass, the sound of drums location of partial discharge phase, because the high-energy sound evenly to the two speakers to achieve the best results
. and bass sound that contains only the point to little or no information.
8, EQ, and some effects multitrack playback should be added whole, as a single player put together a different instrument sounds. EQ will not increase too excessive, so as to make it sound more natural, without losing its original charm.
9, do not put too much instruments in a band, the particular frequency. the sound source is better. At this time then the whole instrument EQ to adjust the control on the distribution of the spectrum, for each instrument can be assigned to the spectrum space. such as the acoustic guitar rock If you pull down the low-frequency, sound localization will become more clear, but the reduction is too clean. noise filter on the door is a good tool, it is not as clear as the boundary.
10, EQ will not increase or decrease was over, when you do change the tone significantly, external equalizer than a good mixer.
11, using the EQ, try to attenuation rather than enhance, the human auditory system has less attenuation sensitive.
12, of the human voice is compressed so that the volume in the final mix in a unified, very few singers do not have a compressor to maintain a stable volume. However, if the compression is considered a warm and encouraging results, you can use the br> 13, from time to time in the control of outdoor music to listen to the whole feeling, which can detect the voice of balance and too close may not be allowed to listen to.
14, the total volume of not too much, it would be music sounds good, and reduce your hearing. from time to time to open big, but in general down-mix, the audience should listen to the music volume to be down-mix. (not including the Disco)
15, to ensure the headphones and speakers to hear the same Analysis of the headset better because a big speaker can not hear a slight distortion and sonic boom. but we can not just listen to headphones, stereo speakers as it is not the same expression.
16, if not necessary, the volume of the bass not to soy and Bass come and go, they are the backbone of the entire song in the rhythm.
17, more music in the voice, the frequency instruments such as distorted guitars, Pad must give voice to the spectrum space, singing out, with which band of similar musical instrument to be down-3dB, so have the clarity and level of the whole sense of music. using threshold and compressor in particular the value of fast Attack and Release, Release values may result if the gain is too small suction effect. But In rock music ??????< br> 18, if you shrink MIDI, do not always see the display of the sequencer, it will disturb your sense of hearing, the hardware sequencer
19, picked up if you use close sound, the sound is no vitality. they do not want to add reverb, you can use some of the environmental simulation or early reflections to make the acoustic space simulation equipment, the shorter the reverberation time, the more likely the sound into the front.
20, shrink After completion, the next day, ears a rest the night, listen again, and what changes the feeling of yesterday, into the monitoring system is not different, WalkMan, DiscMan and listen to on the car stereo.
Skills 2: EQ ( equalizer)
easy to remember the golden rule Golden Rule EQ (translation)
1. If the sound is muddy, please attenuation band near 250hz.
2. If the voice sounds like a trumpet tone, attenuation near 500hz The band
3. When you're trying to make voice sound better, please consider the use of decay
4. When you're trying to get different sounds, please consider upgrading
5.you can't boost something that's not there in the first place. (This one I can not turn, who will turn?)
Here is a table, it reflects some point in the hearing frequency range causing the association.
31hz rumbling sound, muffled thunder rumbled in the distance. feeling chest tightness.
65hz depth, the so-called
250hz full or turbid
500hz car horn
1khz whack (against the sound?! this translation is wrong with it!)
2khz crushing sound of things, step on the Ga la creaked. < br> 4khz trim, Fengrui sense
8khz high frequency whistle or dental, clean cut, > 1. audio plug mUltraFunk compressor About
Ultrafunk:
Ultrafunk let us look at the compressor interface.
still looked quite pleasing to the eye.
points left fx: and compressor two buttons will pop up a sign above the Ultrafunk. Just click on the logo can be canceled once.
interface, the blue LED in the square there is a white line, adjust the left and right Input Output the value, and middle Gain (gain) slider to see the white line in real-time changes.
some numerical adjustments described in the previous section with content related to a similar compression, such as threshold, ratio , inflection point, from the sound, release, gain and so on. generally adjust the compression threshold, compression ratio to achieve the function, and then adjust the gain value can be appropriate to enhance the volume of the waveform.
Limiter trigger for peak limit state there on and off, when the Limiter is open, but the lights of a limit function to play a role, guaranteed not to overflow. then the following TCR what is it? originally Transient Controlled Release (instantaneous controlled release) trigger, the state has on and off, for real-time and automatically adjust the release time, it is a special algorithm.
If you are not very specific values of the adjustment, then the line can also be used directly in the factory Presets some of the parameters already set up solutions Tap the Presets pop up the Preferences menu.
(the first is to do all this pressure limit THRESHOLD decibels from which the beginning is to choose the compression, the figure of -20 means -20 dB or more voice processing
RATIO; This is the compression ratio means the column is generally sound with 2_4: 1 on the line
KNEE: English to explain the meaning of the knee to ease the smaller this parameter the greater the more the more sharp the 10 election if it is fast songs slow songs Select 30
GAIN: gain, which means that if the compression is only a very small sense of the human voice, you can use this to enhance the volume of the waveform compression only ``
ATTCK: I used the reaction time is normally 6
release : is the recovery time following some of the more commonly used parameter values.
Notice I did not give a threshold, it is because the threshold should be set according to specific circumstances.
Special Note: The following figures by no means conclusive!
(Note: release time: 120 - 200 hard knee
guitar ratio: 8 attack time: 5 - 12 release time: 100 soft knee
electric guitar (without distortion) ratio: 4 attack time: 20 release time: 20 hard knee
distorted rhythm guitar (heavy metal, punk, etc.) ratio: 8 attack time: 2 - 6 release time: 70 hard knee
electric bass ratio: 4 attack time: 50 release time: 50 hard knee
human voice (singing) ratio: 2.5 - 4 attack time: 5 - 8 release time: 50 - 80 soft knee
(Note: the human voice can not be conclusive set the parameters, because the plasticity of the human voice is very large, there are male, Girls, Boys, Chinese, English, Enya sound, Cui Jian, sound, etc.)
the human voice (speech) ratio: 2.5 attack time: 15 release time: 50 soft knee 9,)
balanced look at EQ device.
Ultrafunk the EQ band equalizer with 6-speed option, and you can also click on the yellow button to cancel one or several bands. after you cancel, the blue LED in the corresponding yellow Digital markers and loss of function will become gray.
in the Filter can select a different curve options, the general election can be preset. In Freq can set the frequency point.
Q value is used to set the curve shape and width, a low value given to a high frequency filter band width. adjustment formula is: Q point to box after move up and down to increase or decrease its value.
adjust the gain of the way:
1 . directly in the white box, enter the specific value.
2. Drag the slider right.
will see the curve of each real-time adjustment of change.
have done if you are not satisfied with EQ can also be the result of the deal has been overturned, Flat button and tap on it.
Modulator (Modulator)
content can be modulated:
ratio, phase, depth, delay, feedback, cross-mix, mix, output.
in the Rate of the right is LFO - Low Frenquency Oscillator (LFO), a total of six waveforms to choose from.
in Depth (used to control the depth --- delay time change area) is the right of Tape (tape), used in the manufacture of a similar analog tape Flanger effect.
Feedback Invert right side can be used to create a little have offset the effect of bass content.
phase effects:
in Mode (mode) in:
LR phase (phase left and right channels), MS phase (middle and sides / single-channel and stereo phase), CS encode (encoded into the left channel for the central information for the surround right channel information), SC encode (with left and right before an effect opposite phase) of five.
loop filter in the Filter button There are two options: IIR (infinite impulse response) and FIR (finite impulse response). IIR speed, phase effect, but will introduce a constant phase shift. FIR slow, can provide an accurate high frequency phase poor, but somewhat less in the low frequency, this will not introduce a constant phase shift, only in two channels have a slight delay.
Meter (meter) with Pre (preview) and Post (post- view) of two.
Reverb (reverb)
Below is Reverb (reverb) interface.
you can adjust the Input (input) level, or close it;
can enter values or directly in the right of the LED to adjust the drag handle low cut and high cut frequency, or double-click the handle to restore its default value;
adjustment Predelay can directly input signal and the first reverberation control the delay between the time of reflection;
can set the virtual room size;
adjustment Diffusion (spread) the value was little reflected sound can have more different, big time will have a similar white noise, sound, can not distinguish between the echo;
the following four values are input values and can either drag the handle to adjust, they are:
double bass (used to adjust the crossover frequency below the Crossover signal decay time),
Crossover (overlap, overlap for double bass signal frequency),
Decay Time (Reverberation decay time),
High Damping (high-frequency damping, allowing You adjust the reverberation time when the signal exceeds the damping of high frequency signals).
Dry, set the sound output level of dry,
ER, set the output level of early reflections,
Reverb, Reverb settings (wet) effect of signal level,
Typically, Dry-level level of large and small Reverb, sounds clearer, less echo effect; the contrary case, the voice of the more obscure, the effect echo big;
in Width (width) in Normal (normal), Wide (wide), Ultra-Wide (too wide), Mono (single), Narrow (narrow) the five options;
Output has two output options: stereo and mono;
If you pick the Tail (tail), can give a short sample with a long decay time, to extend their length. <br `` `round dry fast songs, then if it is less slow songs on the reverb a little more inside me first explain what the meaning of low-frequency cutoff point is:
next to low-frequency cutoff point of 300 which is a small box filled 300HZ Following the voice of all the bolt out
HZ if you want to ask what is meant is the sound frequency units. is the sound of 300 vibrations per second, this is a high-frequency cutoff bass
the meaning and the same as above
If people inside the high-frequency sound will sound too much vocal thorn ears feel dirty so that you can cut through the high point of the early reflection time to resolve
: This is given to the human voice and then bounce back after hitting the wall to reach your ears
spatial span of time: the need to explain it to the left of the transfer
very wide as if to feel like a big concert which transferred the right to feel very free from anxiety is not so open (slow song lyric song I will adjust The larger the contrary)
level of diffusion: This study did not how it used 50% of the low mixing ratio
hey: this I usually use 1.0
Crossover; 500
reverberation time: 1.0 or the 1.1
high failure point: 5.0
the original dry sound: the greater the human voice before that I used to * 0
early reflections: big tune this I feel there is meaning in the wet sounds very dry if Then it
this transfer large volume reverberation: the need to explain it. less vocal is very dry. more voices will be fuzzy
I-8_-1010,)
Surround (Surround) Effects device:
Below is Surround (surround) the interface effects.
you can manually adjust the range around the pan (Zoom 1,3,5);
input (stereo, mono) ;
Focal point (the focus, when opened, there will be a yellow cross, attenuation and Doppler effect to handle);
adjustment Attenuation (attenuation), the focus around a yellow circle will appear, click Zoom Observation can be switched 1,3,5;
Doppler (Doppler) effect, which is also known Doppler phenomenon in physics terms, it was first proposed by Austrian physicist Christian Doppler discovered in 1842, this applies to all wave phenomena, not just sound waves. A common example is: when you stand on the highway, a car Youyuanerjin, you will hear the tone will increase, decrease away, you can use this cases to set the value of Doppler movement;
the path to achieve the above chart settings, you need to Path (path) to play in the a new handle, while the route between the two handles will appear in the blue LED on;
click Closed path and hit the Path time to set the path of the time;
Joystick allows you to use the game controller to manually adjust the path;
Test noise measurement noise generator used to trigger on / off;
Ultrafunk an effect in the final : WahWah (wah-wah sound)
wahwah is wahwah guitar effects. whawh first appeared in 1966, is a classic guitar effects.
Mode option, choice of three different wah control. < br> Manual (manual), use the slider manufacturing Wah wah sound, the same as using the traditional foot.
Auto (auto) under a certain speed (BPM) automated manufacturing wah.
Triggered (trigger) when threshold value of the voice over on the right to start the wah effect. To use this approach, you need to set the threshold (limit) and attack (from the sound) / release time (release time).
wah envelope control state (that is similar to control wah guitar effects pedal with their feet the same). This parameter in the three modes have different roles. In manual mode, you must use this parameter to control the wah effect . In automatic mode, this parameter is used to set the starting point for wah effects. In Triggered mode, this parameter represents the maximum value of the wah effect, which is the wah range.
Tempo (speed) is only valid in the automatic mode , set the wah modulation speed. range: 1 to 300 BPM
Attack, effective only in trigger mode, that is, from the sound of time, it is said that when the wah is triggered, how long to reach the highest value of the results.
Release, effective only in trigger mode, is the release time, it is said that when the trigger after the end (that is, when the input level below the limit), after a minimum amount of time to return results.
Threshold (threshold) valid only in the trigger mode, said maximum amount when the input level, wah effects started.
2. audio plug-ins (Wave3.0) effects of various profile! (last)
the first results: AudioTrack ( audio tracks)
it is common for normally we see the track, and a combination of 4 EQ equalization, compression, noise gate three effects. If you've used T-racks (mastering software), You will find it very similar to the function of AudioTrack. but T-racks to be pretty much the interface. The figure is AudioTrack (audio track) interface:
use it, you can work the whole mix stand firm ...